Limecraft and OOONA Partner to Provide High Performance AI Subtitling April 9, 2024 8:21 am Published by Stuart Russell Ghent, Belgium, 9th April 2024 – Mediatech innovators Limecraft and...
24.2 Release Enables Powerful Real-time Collaboration March 26, 2024 10:32 am Published by Stuart Russell Ghent, Belgium, 26th March 2024 – Limecraft is very pleased...
Limecraft Highlights Media Intelligence and Real-Time Collaboration for NAB Show 2024 March 20, 2024 9:16 am Published by Stuart Russell Too often, industry observers talk about AI in a negative manner and the discussion often revolves around AI replacing humans, potentially leading to de-skilling. Rather than commenting on Artificial Intelligence, we should be talking about Media Intelligence – using the technology in an appropriate way so it takes on repetitive and labour-intensive tasks and frees us to concentrate on creative story telling.
From Sharing to Real-Time Collaboration February 23, 2024 10:28 am Published by Stuart Russell The world of video production has changed a great deal...
Working with Multi-channel Audio: The Challenges and Benefits February 15, 2024 8:31 am Published by Stuart Russell For many in media production, working with multi-channel audio is a daily fact of life. There are several challenges that come along with the format and it can be complex to manage – sometimes even more complicated than video. In this blog post, we examine and explain the format, discuss the challenges that come along with it, and look at solutions to help content producers work with it successfully and more efficiently.
Limecraft Helps SVT Move Closer to Digital-first Strategy November 2, 2023 10:56 am Published by Stuart Russell Modern media organisations are constantly grappling with the twin issues of technology and efficiency”, notes Olof Appelqvist, Head of Post Production with SVT. “SVT previously committed to providing subtitles or captions for 95% of our content, but a great deal of our online content is short-form, and the subtitling process has always been very manual and time-consuming. With our journalists taking increasing responsibility for subtitle creation, it became clear we needed to find a better way of meeting our responsibilities.
Limecraft unveils Subtitling for Short Form Video June 9, 2023 4:21 am Published by Maarten Verwaest Leave your thoughts We were invited to speak at the 2023 Media City...
Optimising Production Storage using Archiware and Limecraft May 4, 2023 12:07 pm Published by Charlotte Coppejans Leave your thoughts Webinar: ‘Optimising storage for high-end documentary production using Archiware and...
AI Subtitling for Short-Form Video via an Adobe Panel February 9, 2022 2:29 pm Published by Charlotte Coppejans Leave your thoughts Capitalising on its preferred role as a digital innovator, VRT...
Using AI in AVT – What works and what doesn’t October 27, 2022 9:56 am Published by Charlotte Coppejans Leave your thoughts Many use cases of AI in media and entertainment are promising, and especially language professionals have successfully implemented a number of value-added applications. Whether or applications become successful, depends on many factors. In this presentation we explore what works, what doesn't quite work yet, and what areas are unlikely to be solved by technology on its own.
10 Tips for a more efficient Video Ingest August 30, 2022 1:47 pm Published by Charlotte Coppejans Leave your thoughts A good ingest process is the key to efficient post-production. A good ingest process automates repeated manual tasks like audio sync, LUTs, changing file names, and encoding proxies. A good ingest process includes QC and reduces errors to a minimum. A properly set up ingest process reduces the processing time of a shooting day by 50% and, because its automated, the remainder of the time is largely available for creative work.
Subtitling and accesibility: exploring innovation and best practices January 25, 2022 12:06 pm Published by Charlotte Coppejans Leave your thoughts The theme of this year’s event was “Innovation for Access: Best practices” and the Forum brought together cultural and media organisations, user organisations, access professionals, artists, research groups and companies active in the media and cultural landscape to discuss the latest innovative projects and best practices.
The Million-Dollar Question in Subtitling: insource or outsource? February 3, 2022 10:50 am Published by Charlotte Coppejans Leave your thoughts Because the cost of outsourcing may be prohibitive when producing...
Studios de Marseille (NEWEN France) selects Limecraft for Managing their Production Workflow November 2, 2021 9:58 am Published by Charlotte Coppejans Leave your thoughts Limecraft’s long-standing Innovation in Continuous Drama now extends to Enabling...
Automatic subtitling: How AI is rewriting the process October 28, 2021 10:16 am Published by Charlotte Coppejans Leave your thoughts The demand for AI subtitling in the audiovisual industry is...
How the Associated Press (AP) uses AI to slash editing time October 4, 2021 5:50 am Published by Charlotte Coppejans Leave your thoughts The Associated Press (AP) is one of the world's leading news agencies. Processing 20.000 hours of original footage on a yearly basis, the AP was looking for a solution to reduce the time to edit and to ensure content is available across the organisation as fast as possible.
Best Practices for setting up remote Post-Production March 14, 2020 10:31 am Published by Maarten Verwaest Leave your thoughts With NAB being cancelled overnight due to the COVID-19 pandemic,...
The Case for Script Based Collaboration October 1, 2014 3:08 pm Published by Maarten Verwaest Leave your thoughts In a modern production workflow, online tools enable different people to participate from different locations. Media files and production information, often separately stored and managed at different locations, need to be exchanged. Due to a lack of standards, producers rely on Facebook or exchanging documents via email. As a result, individual media fragments are hard to retrieve, reuse of content is expensive, and the overall production cost explodes as the number of distribution possibilities increases.