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BEGIN:VEVENT
DTSTART:20260513T141500Z
DTEND:20260513T144500Z
LOCATION:Production Theatre
SUMMARY:From Capture to Cut in Real Time\:  The Future of High Volume Enter
	tainment Workflows (MPTS 2026)
DESCRIPTION:Large-scale unscripted entertainment formats like The Voice are
	 pushing post-production workflows to their limits. With the sheer volume o
	f content generated\, maintaining oversight and control has become increasi
	ngly complex. Dozens of camera sources\, multiple audio feeds\, and long sh
	ooting days mean the real challenge is no longer capturing content—but proc
	essing it efficiently. The key question is\: how do you rapidly transform m
	assive volumes of footage into editorially usable material that meets both 
	creative and commercial demands? Traditional post-production workflows\, bu
	ilt around manual logging\, syncing\, and preparation\, no longer scale. Th
	ey are increasingly difficult to manage\, both editorially and financially.
	 The result is mounting pressure on teams\, growing inefficiencies\, and th
	e loss of valuable creative time due to repetitive\, low-value tasks\, ofte
	n leading to post-production budgets being exceeded. In this session\, NEP\
	, ITV Studios\, and Limecraft present an alternative approach. Developed du
	ring The Voice of Holland\, the NEP Automated Live Entertainment workflow s
	hifts key post-production processes earlier into the production chain\, ena
	bling post-production to effectively begin during the shoot. By leveraging 
	live logging and tagging\, AI-powered search\, and workflow automation\, st
	ructured and pre-selected\, edit-ready content becomes immediately availabl
	e in the editing suite—eliminating the need to sift through vast amounts of
	 raw footage after the fact. Join us at MPTS London to discover how this in
	novative approach ensures that only high-quality\, curated content reaches 
	post-production. Through smarter workflows and close collaboration\, we’re 
	redefining efficiency and shaping the future of entertainment production.  
X-ALT-DESC;FMTTYPE=text/html:Large-scale unscripted entertainment formats l
	ike The Voice are pushing post-production workflows to their limits. With t
	he sheer volume of content generated\, maintaining oversight and control ha
	s become increasingly complex. Dozens of camera sources\, multiple audio fe
	eds\, and long shooting days mean the real challenge is no longer capturing
	 content—but processing it efficiently. The key question is\: how do you ra
	pidly transform massive volumes of footage into editorially usable material
	 that meets both creative and commercial demands? Traditional post-producti
	on workflows\, built around manual logging\, syncing\, and preparation\, no
	 longer scale. They are increasingly difficult to manage\, both editorially
	 and financially. The result is mounting pressure on teams\, growing ineffi
	ciencies\, and the loss of valuable creative time due to repetitive\, low-v
	alue tasks\, often leading to post-production budgets being exceeded. In th
	is session\, NEP\, ITV Studios\, and Limecraft present an alternative appro
	ach. Developed during The Voice of Holland\, the NEP Automated Live Enterta
	inment workflow shifts key post-production processes earlier into the produ
	ction chain\, enabling post-production to effectively begin during the shoo
	t. By leveraging live logging and tagging\, AI-powered search\, and workflo
	w automation\, structured and pre-selected\, edit-ready content becomes imm
	ediately available in the editing suite—eliminating the need to sift throug
	h vast amounts of raw footage after the fact. Join us at MPTS London to dis
	cover how this innovative approach ensures that only high-quality\, curated
	 content reaches post-production. Through smarter workflows and close colla
	boration\, we’re redefining efficiency and shaping the future of entertainm
	ent production.  
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