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Stay on track from set to edit.
Limecraft connects offload, verification, audio sync, script notes, media management and editorial preparation in one production workflow, reducing manual work without disrupting established creative tools.
Discuss Your Workflow
Customer case
Used for high-volume productions by Warner Bros., France Télévisions and leading European producers.
Automatically verify, transcode, synchronise and organise incoming media.
Carry script, continuity and production information into the media workflow instead of logging everything again.
See what has arrived, what has passed verification and what is ready for editorial.
Connect storage, Avid, Adobe, production notes and transfer services without rebuilding the entire production environment.
01
The workflow starts the moment camera cards and production media arrive. Limecraft creates verified copies of the source material, using checksum-based file verification to confirm that every copy is complete and intact.
Media can be copied to multiple destinations as part of the same controlled process, giving production teams a reliable foundation for everything that follows. udio and prepare multicam material
For Thuis, Warner Bros. Belgium connects production planning, continuity notes, media ingest and Avid Media Composer in one integrated workflow. Limecraft helps carry scene, shot and take information from set into post-production, reducing manual logging and giving editors a structured starting point instead of a pile of anonymous rushes.
France Télévisions uses Limecraft to support the industrial pace of Un si grand soleil, where scenes for many episodes are shot in parallel and thousands of files can be generated in a single day. By connecting Setkeeper, Limecraft and Avid, the production turns scripts, rushes and continuity information into structured, edit-ready material, reducing manual work and helping post-production move faster.
For the daily telenovela Lisa, De Mensen needed to process large volumes of rushes quickly, reliably and without tying up an edit suite. Limecraft automated ingest, audio sync, proxy creation, naming conventions, backup and transfer to Avid, helping the team cut derushing time by more than 50%, save one offline edit suite and reduce the production’s storage and processing footprint.
02
Once every file has been safely verified, Limecraft Edge ingests the material into the production workspace and applies the production’s agreed structure. Files are transcoded, named and organised automatically, while separately recorded audio is synced with the corresponding camera material.
The result is a consistent set of production media, ready for search, review, set-note integration and editorial handover. This creates the foundation for having all media and metadata available in one place.
03
Manual logging is too slow for scripted series and continuing drama. Limecraft connects rushes with script notes, continuity information, and circled takes, so the editorial team does not have to reconstruct what happened on set. As footage is ingested and prepared, production metadata travels with the media. Scenes, shots, takes, comments and selections become searchable and available for review, pre-cut preparation and export to edit.
04
Once stories take shape, Limecraft connects directly to editorial. Export clips, sequences, metadata, and subtitles straight into Avid Media Composer or Adobe Premiere Pro. No relinking, no XML clean-up, no human error. What researchers and producers prepare is exactly what editors receive. The result: faster turnaround, fewer mistakes, and a seamless path from research to final cut.
05
Once the material is prepared, Limecraft makes it easy to share rushes, assemblies and cuts with producers, broadcasters or external partners. Everyone reviews the same media with comments, approvals and decisions linked directly to the relevant timecode.
Instead of exporting files, sending download links or collecting feedback by email, production and post-production stay aligned in one controlled environment. Comments are easier to track, review cycles become shorter, and every decision remains connected to the media it refers to.
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